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Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Ra

Description: Say Nothing by Patrick Radden Keefe NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Timess 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConvilles murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConvilles abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConvilles children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes.Patrick Radden Keefes mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish. FORMAT Paperback LANGUAGE English CONDITION Brand New Author Biography PATRICK RADDEN KEEFE is a staff writer at The New Yorker, an Eric and Wendy Schmidt Fellow at the New America Foundation and the author of The Snakehead and Chatter. His work has also appeared in The New York Times Magazine, Slate, New York, and The New York Review of Books, among others and he is a frequent commentator on NPR, the BBC, and MSNBC. Patrick received the 2014 National Magazine Award for Feature Writing, for his story "A Loaded Gun," was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and is also the recipient of a Guggenheim Fellowship. Review NEW YORK TIMES BEST SELLERLONGLISTED FOR THE NATIONAL BOOK AWARD WINNER OF THE ORWELL PRIZE "Resolutely humane. . .Say Nothing [has an] exacting and terrifying lucidity. . .meticulously reported. . .Keefes narrative is an architectural feat, expertly constructed out of complex and contentious material, arranged and balanced just so. . .an absorbing drama." —JENNIFER SZALAI, The New York Times"Say Nothing has lots of the qualities of good fiction. . . Keefe is a terrific storyteller. . .He brings his characters to real life. The book is cleverly structured. We follow people--victim, perpetrator, back to victim--leave them, forget about them, rejoin them decades later. It can be read as a detective story. . .What Keefe captures best, though, is the tragedy, the damage and waste, and the idea of moral injury. . .Say Nothing is an excellent account of the Troubles. —RODDY DOYLE, The New York Times Book Review "An exceptional new book. . .explores this brittle landscape [of Northern Ireland] to devastating effect. . .Fierce reporting. . . It is a dizzying panorama, yet Mr. Keefe presents it with clarity."—MICHAEL ODONNELL, The Wall Street Journal "Say Nothing investigates the mystery of a missing mother and reveals a still-raw violent past. . .The book often reads like a novel, but as anyone familiar with his work for The New Yorker can attest, Keefe is an obsessive reporter and researcher, a master of narrative nonfiction. . .An incredible story."—Rolling Stone "Haunting. . .As a cautionary tale, Say Nothing speaks volumes — about the zealotry of youth, the long-term consequences of violence and the politics of forgetting."—DEVLIN BARRETT, The Washington Post "As the narrator of a whodunit. . .[Keefe] excels, exposing the past, layer by layer, like the slow peel of a rotten onion, as he works to answer a question that the British government, the Northern Irish police and the McConville family has been seeking the answer to for nearly 50 years. . .Say Nothing is a reminder of Northern Irelands ongoing trauma. And with Brexit looming, its a timely warning that it doesnt take much to open old wounds in Ireland, and make them fresh once more."—PADDY HIRSH, NPR"The years most gripping nonfiction title."—Entertainment Weekly"Meticulously reported, exquisitely written, and grippingly told, Say Nothing is a work of revelation. Keefe not only peels back, layer by layer, the truth behind one of the most important and mysterious crimes of a terrible conflict; he also excavates the history of the Troubles, and illuminates its repercussions to this day."—DAVID GRANN, #1 New York Times bestselling author of Killers of the Flower Moon"Patrick Radden Keefes gripping account of the Troubles is equal parts true-crime, history, and tragedy. Keefes incisive reporting reveals the hidden costs of the Troubles, illuminating both the terrible toll of the conflict, and how it continues to reverberate today. A must read." —GILLIAN FLYNN, #1 New York Times bestselling author of Gone Girl"Patrick Radden Keefe uses the old Irish phrase, Whatever you say, say nothing, to suggest and to say just about everything. Keefes great accomplishment is to capture the tragedy of the Troubles on a human scale. By tracing the intersecting lives of a handful of unforgettable characters, he has created a deeply honest and intimate portrait of a society still haunted by its own violent past. Say Nothing is a bracing, empathetic, heartrending work of storytelling."—COLUM McCANN, New York Times bestselling author of Transatlantic and Let the Great World Spin, Winner of the National Book Award"Patrick Radden Keefe has the rare ability to convey an intimate story that powerfully illuminates a much larger one. Combining the skills of an investigative journalist with the storytelling power of a suspense novelist, Keefe brilliantly represents the menace and intrigue that devastated Belfast during The Troubles, and shows the course of ordinary lives headed toward inevitable and awful collision. By turns gripping and profoundly revelatory, Say Nothing shines a brighter light on Northern Irelands tragic past than any history book."—SCOTT ANDERSON, New York Times bestselling author of Lawrence in Arabia"A shattering, intimate study of how young men and women consumed by radical political violence are transformed by the history they make, and struggle to come to terms with the blood they have shed, Say Nothing is a powerful reckoning. Keefe has written an essential book."—PHILIP GOUREVITCH, author of National Book Critics Circle Award winner We Wish to Inform You That Tomorrow We Will Be Killed With Our Families and The Ballad of Abu Ghraib"Smart, searching, and utterly absorbing, Say Nothing sweeps us into the heart of one of the modern worlds bitterest conflicts and, with unusual compassion, walks us back out again along the road to reconciliation. This is more than a powerful, superbly reported work of journalism. It is contemporary history at its finest." —MAYA JASANOFF, author of the National Book Critics Circle Award-winning Libertys Exiles and The Dawn Watch"Say Nothing is a piercing inquiry into the nature of political violence and its aftermath, by one of the best reporters in the United States. In this beautifully written book, Patrick Radden Keefe delves into the heart of the IRA, chronicling the worst years of the Troubles and the ghosts that continue to haunt Belfast even now that the fighting is over. Faulkner had it right: The past is never dead. Its not even past." —PETER BERGEN, author of Manhunt: The Ten-Year Search for Bin Laden From 9/11 to Abbottabad "[Keefe] incorporates a real-life whodunit into a moving, accessible account of the violence that has afflicted Northern Ireland... Tinged with immense sadness, this work never loses sight of the humanity of even those who committed horrible acts in support of what they believed in."—Publishers Weekly, *starred review*"A searing reflection on the Troubles and their aftermath... Masterly."—The Economist Review Quote "Meticulously reported, exquisitely written, and grippingly told, Say Nothing is a work of revelation. Keefe not only peels back, layer by layer, the truth behind one of the most important and mysterious crimes of a terrible conflict; he also excavates the history of the Troubles, and illuminates its repercussions to this day." --DAVID GRANN, #1 New York Times bestselling author of Killers of the Flower Moon "Patrick Radden Keefes gripping account of the Troubles is equal parts true-crime, history, and tragedy. Keefes incisive reporting reveals the hidden costs of the Troubles, illuminating both the terrible toll of the conflict, and how it continues to reverberate today. A must read." --GILLIAN FLYNN, author of Gone Girl "Patrick Keefe uses the old Irish phrase, Whatever you say, say nothing, to suggest and to say just about everything. Keefes great accomplishment is to capture the tragedy of the Troubles on a human scale. By tracing the intersecting lives of a handful of unforgettable characters, he has created a deeply honest and intimate portrait of a society still haunted by its own violent past. Say Nothing is a bracing, empathetic, heartrending work of storytelling." --COLUM McCANN, New York Times bestselling author of Transatlantic and Let the Great World Spin , Winner of the National Book Award "Patrick Radden Keefe has the rare ability to convey an intimate story that powerfully illuminates a much larger one. Combining the skills of an investigative journalist with the storytelling power of a suspense novelist, Keefe brilliantly represents the menace and intrigue that devastated Belfast during The Troubles, and shows the course of ordinary lives headed toward inevitable and awful collision. By turns gripping and profoundly revelatory, Say Nothing shines a brighter light on Northern Irelands tragic past than any history book." --SCOTT ANDERSON, New York Times bestselling author of Lawrence in Arabia "A shattering, intimate study of how young men and women consumed by radical political violence are transformed by the history they make, and struggle to come to terms with the blood they have shed, Say Nothing is a powerful reckoning. Keefe has written an essential book." --PHILIP GOUREVITCH, author of National Book Critics Circle Award winner We Wish to Inform You That Tomorrow We Will Be Killed With Our Families and The Ballad of Abu Ghraib "Smart, searching, and utterly absorbing, Say Nothing sweeps us into the heart of one of the modern worlds bitterest conflicts and, with unusual compassion, walks us back out again along the road to reconciliation. This is more than a powerful, superbly reported work of journalism. It is contemporary history at its finest." --MAYA JASANOFF, author of the National Book Critics Circle Award-winning Libertys Exiles and Dawn Watch " Say Nothing is a piercing inquiry into the nature of political violence and its aftermath, by one of the best reporters in the United States. In this beautifully written book, Patrick Radden Keefe delves into the heart of the IRA, chronicling the worst years of the Troubles and the ghosts that continue to haunt Belfast even now that the fighting is over. Faulkner had it right: The past is never dead. Its not even past." --PETER BERGEN, author of Manhunt: The Ten-Year Search for Bin Laden From 9/11 to Abbottabad Excerpt from Book Book Two Human Sacrifice 11 Close England! THE CROCUSES WERE ALREADY in bloom around Londons parks and monuments on March 8, 1973. It was a Thursday, a crisp, crystalline early-spring morning. After a wet English winter, people were venturing outdoors, beckoned by the sun. The Queen left Buckingham Palace to inspect the first blooms in her garden. There was a transit strike that day, and with train service suspended, commuters were forced to drive into the city. As a result, central London was overrun with automobiles. In order to accommodate the surge of vehicles, the city had suspended parking restrictions for the day. Cars were everywhere--in loading zones and other areas that were usually off-limits, or at meters that had long since expired. Just after lunchtime, at around 2 p.m., a phone rang at the headquarters of The Times of London. A young woman named Elizabeth Curtis, who had just started working on the news desk at the paper, picked up the call. She heard a mans voice, speaking very quickly, with a thick Irish accent. At first she couldnt make out what he was saying, then she realized that he was reeling off the descriptions and locations of a series of cars. He spoke for just over a minute, and, though she was still confused, she transcribed as much as she could. Before hanging up, the man said, "The bombs will go off in one hour." A journalist named Martin Huckerby was on duty that day in the newsroom. He overheard Curtis dictating details about the bombs to one of her colleagues. The nearest of the locations she mentioned was the Old Bailey, the central criminal court in London, just a short walk from The Times. Huckerby bolted out of the office. He was looking for a green Ford Cortina Estate with a license plate that, assuming Curtis had transcribed it correctly, read YNS 649K. Huckerby left the office at 2 p.m. and arrived at the monumental stone courthouse a few minutes later. Built at the turn of the century, the Old Bailey had been the site of many celebrated trials. A great dome sat atop the heavy masonry, with a bronze figure of Justice, her arms outstretched, holding a sword and a set of scales. Dozens of cars were parked around the building, and Huckerby began checking them to see if he could find the Cortina. Before long, he spotted it, parked right in front of the courthouse: a green Cortina Estate with the license plate YFN 469K, close enough to what he was looking for that he was sure this was it. Peering through the glass at the cars interior, he saw a pair of black gloves on the floor and an aerosol can. Huckerby waited for the police to come, and eventually, after what seemed like an eternity, two uniformed officers arrived at 2:33 and inspected the Cortina. They started evacuating people in the area, cordoning off the road. Huckerby took cover in a doorway, about twenty-five yards from the Cortina, and waited. The plan to bring the bombing campaign to England had been, at least in part, Dolours Prices idea. The IRA had detonated hundreds of bombs in commercial centers throughout Northern Ireland. If the goal was to cripple the economy, this effort had been a success. But the collateral damage was considerable. For civilians in Northern Ireland, whether Catholic or Protestant, the routine bombings could make life impossible: suddenly you were taking your life into your hands when you went to the shop for a dozen eggs. It might not have been the intention of the IRA to create civilian casualties, but there were civilian casualties, lots of them, and they were borne by Catholics and Protestants alike. Bloody Friday was an especially grave debacle, but it was hardly unique--countless smaller bombing operations had claimed limbs and lives, steadily eroding support for a violent campaign among moderate Irish nationalists. Worst of all, because the toll of all this bombing was largely confined to Northern Ireland, it did not appear to be registering all that strongly with the intended target--the British. The English public, removed on the other side of the Irish Sea, seemed only dimly aware of the catastrophe engulfing Northern Ireland. It was a case study in strategic insanity: the Irish were blowing up their own people in a misguided attempt to hurt the English, and the English hardly even noticed. It bothered Price. "This is half their war," she would say to Wee Pat McClure, the head of the Unknowns, as they sat around call houses between operations. "Only half of it is our war. The other half is their war, and some of it should be fought on their territory." She became convinced that "a short, sharp shock--an incursion into the heart of the Empire--would be more effective than twenty car bombs in any part of the North of Ireland." After making the case to Se Details ISBN1984883216 Author Patrick Radden Keefe Short Title SAY NOTHING Pages 800 Language English ISBN-10 1984883216 ISBN-13 9781984883216 Format Paperback Illustrations Yes Year 2019 Publication Date 2019-02-26 Imprint Random House Large Print Subtitle A True Story of Murder and Memory in Northern Ireland Place of Publication Thorndike Country of Publication United States AU Release Date 2019-02-26 NZ Release Date 2019-02-26 US Release Date 2019-02-26 UK Release Date 2019-02-26 Publisher Diversified Publishing Edition Description Large type / large print edition DEWEY 364.15230941 Audience General We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:141772071;

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Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Ra

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